Recent reviews
The Reverend – Blue
Review: Blue Diversifies Glimmerglass Fare
Review: Police Violence Reaches Opera in ‘Blue’
Review: Glimmerglass-Festival 2019: Oper gegen Rassismus
Review: New Opera ‘Blue’ Takes On The Tragedy Of Police Brutality
Review: Tesori and Thompson’s Sobering “Blue”: Lushly Melodic, Dramatically Persuasive – Glimmerglass Festival, July 14, 2019
Review: Glimmerglass Premieres Blue – A Story of America’s Ongoing Struggle with Race
Review: Moody “Blue”
Review: “Blue” world premiere @ Glimmerglass Festival, 7/14/19
Baron Scarpia – Tosca
Review: ‘Tosca’ a triumph of singing, visual splendor
Alberich – The Ring Cycle
Review: Richard Wagner — GÖTTERDÄMMERUNG
Review: The Ring Reverberates
Review: ‘Twilight of the Gods –The Ring of the Nibelung –Part Three’ at Washington National Opera
Review: WNO’s ‘made in America’ Ring of the Nibelung – Part 3 Siegfried
Review: After ‘Ring’ rehearsal injury, a soprano finally gets her U.S. debut
Review: THE RHINEGOLD Magically Opens WNO’s The Ring Cycle
Review: A vastly improved ‘Rhinegold’ debuts
Review: The long journey of the ‘American Ring’
Rigoletto
Article: Gordon Hawkins on performing Rigoletto
Review: Vancouver Opera’s latest Rigoletto shines
Review: Rigoletto’s leads bring Vancouver Opera audiences to their feet
Video: Excerpts from Rigoletto at Vancouver Opera
Interviews
Baritone Gordon Hawkins reaches into Rigoletto’s bitter heart
Arizona Opera’s ‘Tosca’ in Phoenix
The Baritone’s Deeper Resonance
Meet Our Singers: Gordon Hawkins, Porgy
Interview with baritone Gordon Hawkins in the title role of Nabucco